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‹Mapping›: Beat Brogle, Raffaella Chiara Raffaella Chiara creates in her drawings, some of them quite large in size, a whole cosmos. Spatiality is an important subject; systems of architecture are brought together with organic or mineral structures. Produced without computer, the sheets resemble CAD-generated studies of architecture or three-dimensional systems of cards. With a closer look it is revealed there are sites of fractures so to speak. A nature study: mountains are standing on tables, woods are growing in caves, and islands are floating freely in the room. All works have common theme that they are free of any human presence. Indeed the titles or certain structures of architecture refer to civilizations however they are void of human beings. The often-surreal compositions are interlaced with hidden contents. Again and again the artist manages to amaze, by opening a whole universe with a few lines. She succeeds, with smooth pencil or crayon lines and fine coloration. She visualises a wonderful worlds of ideas. Chiara is a narrator of stories, driven by the impulse, to produce new references and by new contextualisation to intervene in the discourse of drawings of the last years. So both of these artists celebrate the multifaceted possibilities in which to generate new worlds. A successful undertaking even though they use different techniques. ‹Mapping› describes the uncovering of a process, apportion and disclosure – the ideal title to bring the both positions in as regards to content discourse. Bernhard Bischoff, October 2006
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