Alfred Hofkunst

‹Werke aus fünf Jahrzehnten›

Sammlung Eva und Willi Ebinger

23.2. – 31.3.2018

Opening Thursday 22.2.2018, 18-20h

Alfred Hofkunst, «Venus», 2002, Pastellkreide und Farbstift auf Papier, 70 x 100 cm
Alfred Hofkunst, «Selbstportrait», 2001, Acryl, Pastellkreide, Farbstift und Bleistift auf kaschierter Leinwand, 200 x 150 cm
Alfred Hofkunst, «Lavendelfeld», 1976, Pastellkreide und Farbstift auf Pavatex, 150 x 200 cm
Alfred Hofkunst, «Urserntal», 1977, Acryl, Pastellkreide und Farbstift auf kaschierter Leinwand, 120 x 175 cm
Alfred Hofkunst, «Frühjahrsschnee», 1979, Pastellkreide auf mit Papier kaschierter Leinwand, 70 x 100 cm
Alfred Hofkunst, «Rückenakt», 1962, Öl, 104 x 56 cm
Alfred Hofkunst, «Bateau», 1983, Acryl, Pastellkreide und Farbstift auf kaschierter Leinwand, 150 x 200 cm
Alfred Hofkunst, «Rorschachtest», 1969, Guache, 15 x 45 cm
Alfred Hofkunst, «Strand», 2003, Sand und Pastellkreide, 115 x 170 cm
Alfred Hofkunst, «Women in my Coffee», 1967, Bleistift, Durchmesser 41 cm
Alfred Hofkunst, «Restaurant Adler», 1967, Bleistift, 60 x 40 cm
Alfred Hofkunst, «Reise zum Mond», 1967, Öl und Bleistift, 130 x 160 cm
Alfred Hofkunst, «Schuhleben», 1965, Bleistift, 52 x 52 cm
Alfred Hofkunst, «Sandwich», 1968, Zeichnung, 200 x 150 cm
Alfred Hofkunst, «Femme à l'eau», 1985, Zeichnung, 220 x 80 cm
Alfred Hofkunst, «Der Fuchs», 1982, Polaroid überarbeitet, 75 x 190 cm

Alfred Hofkunst was born in Vienna in 1942. In 1948 he moved to Zurich with his family. He did an apprenticeship as typesetter and theater painter, later he worked as a stage designer at the Stadttheater in Bern. From 1965 he was a freelance artist and became internationally known for his realistic drawings. In 2004 he dies in Cudrefin.

Each stage of his art was surprising and new - after the first literary etchings he devoted himself to drawn objects of his environment; Rolling shutters, windows, garden fences, carpets, fishing rods, light bulbs and flies, and the legendary mattress now hanging in the Stedeliijk Museum in Amsterdam. He worked with the tip of a pencil or color pen, which he slid over the paper in a hating way. He dismantled the subject into a dense fabric of gossamer strokes and at the same time immersed his imagery in a magical light. 

At Documenta 6, Hofi (as he was called, though he was almost two meters tall and wearing shoe number 46) caused a sensation with the drawing of his studio in original size (300 x 620 x 740 cm). Later, he dealt with nature. The forests and meadows, the blue sky, the four seasons and then the presumptuous idea of representing the waters of Lake Neuchâtel from early morning to late evening. He made it with a huge barge and 32 screens of 4 square meters each. Water continued to fascinate him - in Marseilles, the ship's reflections and the surf.
Seafood, plants and flowers inspired Hofi to produce huge prints. These were so big that a new method for printing had to be invented. Hofi replaced the printing block with a steam roller weighing several tons. It took 5 employees to produce a print. Every print was unique.
In the 1980s he studied the human figure, capturing only parts of the female body. These works are deliberately fragmented and torso-staged.

Alfred Hokunst's work is characterized by superlatives. He was the boss of the giants, and that's what he craved. His studio was huge (the one in the port of Marseille was the size of a football field), the canvases gigantic, the claims enormous. He always wanted more - and finally landed with himself, with himself, with his image, and with his works. In the end, all was retreat and escapism: cannibalistic self-destruction of a genius called Alfred Hofkunst and called Hofi. 

The Galerie Bernhard Bischoff & Partner is pleased to show works from five decades from the private collection of Eva and Willi Ebinger. The couple and their family have been close friends with Alfred Hofkunst for over 40 years and have accompanied him on his life's journey, in his creative phases and often on his exclusive excursions.



Archiv Bern/PROGR:
Filip Haag - Malerei und Zeichnung 2019
Pascal Danz - Works on Paper 2019
Bodo Korsig - Escape from Memory 2019
Kotscha Reist - Comptoire de Mystic 2019
Martin Kasper
Reto Camenisch 2018
Christian Denzler 2018
Martin Kasper - Im Wechsel 2018
Matchpoint 2018
Andrea Heller / Dominik Stauch 2018
Porter à l'envers 2018
Alfred Hofkunst 2018
Silvia Gertsch - Captured 2018
Winter Story 2017
Böniger / Indermühle 2017
Sereina Steinemann 2017
Xerxes Ach - inside outside 2017
Christian Indermühle - Glarea 2017
Peter Wüthrich 2017
Samuel Blaser - Skip the Pit Stop 2017
Filip Haag - Ins Auge 2017
Kotscha Reist - Painting As Usual 2017
Pascal Danz - Vor der Reise 2016
Laurent Schmid 2016
Freyschmidt/Merkisch/à Wengen 2016
Aquaréelles 2016
Com&Com - New works 2016
Reto Leibundgut - Clementine 2016
Erich Weiss feat. Otto Tschumi 2016
ABOUT PAINTING - PART II 2016
Dominik Stauch 2015
Christian Denzler - Neue Arbeiten 2015
Bodo Korsig - No regrets 2015
Filip Haag - Abrakadie & mehr 2015
Kotscha Reist 2015
Samuel Blaser 2015
Pascal Danz 2015
Elsbeth Böniger - Structures 2015
Catching Moments 2014
Now and Here 2014
(Hi)stories 2014
Summerproject 14
Com&Com - Sky 2014
Katia Bourdarel 2014
Otto Tschumi - Variationen 2014
Lorenz Spring - Spring im Winter 2014
En-lighted 2013
Reto Leibundgut 2013
Patterns 2013
Filip Haag - Oder nach Absprache 2013
Mit dem Körper sehen 2013
Samuel Blaser - Diptycha 2013
Originally Bern 2013
Zwischenspiel: PROGR In-House 2013
Kotscha Reist - Old Ideas 2013
Pascal Danz 2013
Dominik Stauch - Rhinestones 2012
Tiefen Wirkungen 2012
Summerproject 2012
On paper 2012
Com&Com - Clouds 2012
Arno Nollen 2012
Locking glass 2012
Raffaela Chiara - Transformer Kit 2012
X Years 2011
Dominik Stauch - Breathless 2011
Marius Lüscher 2011
Reto Leibundgut - Flora 2011
Kotscha Reist - Painting Life 2011
Microcosmes 2011
Elsbeth Böniger 2011
Laurent Schmid - Rope Tricks 2010
Reto Camenisch 2010
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