Erich Weiss
The artist Erich Weiss is known for his obsession with two avant-garde movements that strongly influenced his thinking and artistic work: Dadaism and Surrealism. He almost always invites artist friends or colleagues whose work he appreciates as guests, asks them to join him and involves them in his exhibitions. This approach stems not least from his varied background, from dance and theater, but also from music. This has resulted in projects such as “Blood spilt for Nothing” with Thomas Galler; “Bela Lugosi is Dead” with Arno Nollen, Katia Bourdarel or Dirk Braeckman. The tradition of the “collaboration”, of the common “œuvre” with different characters is undoubtedly the heritage of a surrealist practice. Arguably, “Surrealism is Weiss’ DADA”. It is his passion, since his childhood, an obsession.
Erich Weiss sees art as a process based on exchange and collaboration and uses the museum or gallery as a stage for his exhibitions accompanied by performances. Often, the audience is also invited to play an active role. At the same time, Erich Weiss remains the master of ceremonies of his performances, surrounded by guests and sometimes half-forgotten shadow figures. All the participating people are Erich Weiss’ secret heroes and references. What he finally shows the audience eludes clear interpretations, rather he loves – as with surrealism – to present the viewer ambiguities and enigma.
